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“Chronicle of a Camera should be essential reading for anyone interested in how independent narrative cinema became a reality in the United States.”
―Charles V. Eidsvik, author of Cineliteracy: Film Among the Arts
This volume provides a history of the most consequential 35mm motion picture camera introduced in North America in the quarter century following the Second World War: the Arriflex 35. It traces the North American history of this camera from 1945 through 1972―when the first lightweight, self-blimped 35mm cameras became available.
Chronicle of a Camera emphasizes theatrical film production, documenting the Arriflex’s increasingly important role in expanding the range of production choices, styles, and even content of American motion pictures in this period. The book’s exploration culminates most strikingly in examples found in feature films dating from the 1960s and early 1970s, including a number of films associated with what came to be known as the “Hollywood New Wave.” The author shows that the Arriflex prompted important innovation in three key areas: it greatly facilitated and encouraged location shooting; it gave cinematographers new options for intensifying visual style and content; and it stimulated low-budget and independent production. Films in which the Arriflex played an absolutely central role include Bullitt, The French Connection, and, most significantly, Easy Rider. Using an Arriflex for car-mounted shots, hand-held shots, and zoom-lens shots led to greater cinematic realism and personal expression.
- Sales Rank: #2947652 in Books
- Brand: Brand: University Press of Mississippi
- Published on: 2013-02-19
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .63" w x 5.51" l, .90 pounds
- Binding: Hardcover
- 202 pages
- Used Book in Good Condition
Review
“Norris Pope’s Chronicle of a Camera reads oddly like a thriller documenting how a collection of ornery and independent visual storytellers used a remarkable tool, the Arriflex II, to change how films are made and to change what kinds of films are possible in America. Pope is an oddity, an academic who illuminates the story of a camera he uses and loves. The Arriflex II allowed cinematographers and directors to work on location, telling stories outside of Hollywood’s sound stage production formulas and practices. From the end of World War II until the late 1970s, these artists created a film counterculture that was a worthy artistic competitor to the European cinema. That counterculture in turn provided heroes for a film school generation that wanted to believe that independent and personal cinema is possible in America. Europeans knew the Arri was tough, reliable, portable, and affordable. How it enabled our own new waves in America, despite industry opposition, is a story Pope tells accurately and readably. Chronicle of a Camera should be essential reading for anyone interested in how independent narrative cinema became a reality in the United States.”
―Charles V. Eidsvik, author of Cineliteracy: Film Among the Arts
From the Inside Flap
A history of the lightweight workhorse camera that transformed postwar cinematography
About the Author
Norris Pope, Palo Alto, California, is program director for scholarly publishing at Stanford University Press. The author of Dickens and Charity, he has a doctorate in modern history from Oxford University. He owns--and often uses--an Arriflex 35.
Most helpful customer reviews
0 of 0 people found the following review helpful.
An Amazing story of Arri Camera in North America
By Frank Paul Perez
Where do you start? An amazing well written book by my friend Norris Pope, scholar and filmmaker. In chapter 6 he writes about how Roger Corman is shooting, "The Young Racers" with Arri Cameras. A quote from the book: "...one of which was often operated by Francis Ford Coppola-who has been hired to record sound..." I get a kick out of the thought Francis Ford Coppola as a sound guy. Anyway, many more interesting stories in the book.
0 of 0 people found the following review helpful.
Through and Engaging
By Caetlin Benson-Allott
I wish I had time to say more, but I just needed to drop a note and say how impressed I was by this book. I learned so much, and the writer manages a lot of technical details with clear and engaging writing. I never thought a technical history would be so artistically insightful or fun to read.
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