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The Dead and the Living, by Sharon Olds
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The 1983 Lamont poetry selection of the Academy of American Poets.
- Sales Rank: #90327 in Books
- Published on: 1984-02-12
- Released on: 1984-02-12
- Original language: English
- Number of items: 1
- Dimensions: 8.32" h x .28" w x 5.66" l, .30 pounds
- Binding: Paperback
- 96 pages
From the Inside Flap
The 1983 Lamont poetry selection of the Academy of American Poets.
About the Author
Sharon Olds was born in 1942, in San Francisco, and educated at Stanford University and Columbia University. Her first book of poems, Satan Says (1980), received the inaugural San Francisco Poetry Center Award. Her second, The Dead and the Living, was both the Lamont Poetry Selection for 1983 and winner of the National Book Critics Circle Award. She teaches poetry workshops in the Graduate Creative Writing Program at New York University and in the N.Y.U. workshop program at Goldwater Hospital on Roosevelt Island in New York. More recently she was awarded the Walt Whitman Citation for Merit by the New York State Writers Institute of the State University of New York. The citation officially invested her with the title of New York State Poet for 1998-2000.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Three Stars
By Melissa
Pretty graphic. Not for everyone.
13 of 13 people found the following review helpful.
Gutsy Olds
By Lilianne R. Escovedo
If you are reading this you have probably already read Sharon Olds, and liked her enough to go back and look at some of her earlier works, but are fighting a tinge of reservation. Olds can be admired for the sheer raw guts she puts into her poems, the brutal way she expresses her internalized truths. Her honesty is alarming and alluring. But there can be a pariah quality to her, as well. I want to say she has a touch of Madonna in her ethos. At times she can seem to be sneering. This would be insulting, except her writing is so good we want to forgive her, and do - mostly. I find it frustrating when this tone creeps in, as it does here in one or two places. Another disquieting aspect of her writing is the inclusion of some very intimate aspects of her children at various ages and phases. I appreciate her words for their beauty but wonder if her children resent so much exposure. Fortunately, most of the poems in this book are full of clear, blunt prose that revoke the layers of artificiality that can come to accompany our memories of ourselves and the more painful aspects of our personal histories. I find her poems refreshing for this quality (even though thank God I don't have her history). So, although not all poems in this book avoid a self-aggrandizing, mock horror edge, and a few may upset tender sensibilities about what information we need to know about her children in order to understand her as a mother/writer, I enjoyed this book and would even recommend it to readers who have already formed some apprehension toward her work.
24 of 24 people found the following review helpful.
Running with Wolves
By Thomas Fulton
I discovered Sharon Olds' poetry while reading the anthology The Rag and Bone Shop of the Heart, which includes several of her poems, most notably (for me) "The Race." I followed through by reading Satan Says and The Dead and the Living. For me, Olds' poetry combines sensuous, keenly observed (and keenly felt), images with searing emotion in a way that achieves an intensity that is, at times, trance inducing. In The Dead and the Living, Olds' writing is grounded in personal family experiences which included, during her childhood, shuddering, shattering incidents of abuse. I found the poems raw, edgy, blunt, earthy, but also subtle, exploring many dimensions of family experience over several genertions. There is something about the work which blends both rage and understanding, an ability to move through without forgetting. Two examples would be the "The Killer" and "The Sign of Saturn" in which Olds reflects on the shadow she sees (or imagines) in her own children. I found The Living and the Dead more alert to the complexity of evil than the earlier book Satan Says, but no more detached from its horror. I'm looking forward to reading her most recent poems to see how her perspectives may have evolved. In my opinion, this a very serious woman (in the best sense of the word serious), who knows her way around both the day world and the underworld and can hold the tension between.
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